In the 1994 fantasy action film The Crow directed by Alex Proyas, written by David J. Schow and John Shirley, and starring Brandon Lee in his final film appearance. Based on James O'Barr's 1989 comic book of the same name, it tells the story of Eric Draven (Lee), a rock musician who is revived from the dead to avenge his murder and death of his fiance.
But it happen that it was been filmed where Michael Massee is accidentally shoot at Brandon Lee in March 31, 1993.
In the scene in which Lee was accidentally shot, Lee’s character walks into his apartment and discovers his fiancée being beaten and raped by thugs. Actor Michael Massee's character fires a .44 Magnum Smith & Wesson Model 629 revolver at Lee as he walks into the room. A previous scene using the same gun had called for inert dummy cartridges fitted with bullets, but no powder or primer, to be loaded in the revolver. For close-up scenes which utilize a revolver, where the bullets are clearly visible from the front, and do not require the gun to actually be fired, dummy cartridges provide a more realistic appearance than blank rounds, which have no bullet. Instead of purchasing commercial dummy cartridges, the film's prop crew, hampered by time constraints, created their own by pulling the bullets from live rounds, dumping the powder charge then reinserting the bullets. However, they unknowingly left the live percussion primer in place at the rear of the cartridge. At some point during filming the revolver was apparently discharged with one of these improperly-deactivated cartridges in the chamber, setting off the primer with enough force to drive the bullet partway into the barrel, where it became stuck (a condition known as a squib load). The prop crew either failed to notice or failed to recognize the significance of this issue.
In the fatal scene, which called for the revolver to be actually fired at Lee from a distance of 12–15 feet, the dummy cartridges were exchanged for blank rounds, which feature a live powder charge and primer, but no bullet, thus allowing the gun to be fired without the risk of an actual projectile. As the production company had sent the firearms specialist home early, responsibility for the guns was given to a prop assistant who was not aware of the rule for checking all firearms before and after any handling. Therefore, the barrel was not checked for obstructions when it came time to load it with the blank rounds. Since the bullet from the dummy round was already trapped in the barrel, this caused the .44 Magnum bullet to be fired out of the barrel with virtually the same force as if the gun had been loaded with a live round, and it struck Lee in the abdomen, mortally wounding him. He was rushed to the New Hanover Regional Medical Center in Wilmington, NC, where he underwent six hours of surgery. However, attempts to save him were unsuccessful, and Lee was pronounced dead at 1:03pm on March 31, 1993 at the age of 28. The shooting was ruled an accident.
After Lee's death, the producers were faced with the decision of whether or not to continue with the film. Lee had completed most of his scenes for the film and was scheduled to shoot for only three more days. Sofia Shinas, who had witnessed the accident, did not want to continue and went home to Los Angeles. The rest of the cast and crew, except for Ernie Hudson, whose brother-in-law had just died, stayed in Wilmington. Paramount, which was initially interested in distributing The Crow theatrically (originally a direct-to-video feature), opted out of involvement due to delays in filming and some controversy over the violent content being inappropriate given Lee's death. However, Miramax picked it up with the intention of releasing it in theaters and injected a further $8 million to complete the production, taking its budget to approximately $23 million. The cast and crew then took a break for script rewrites of the flashback scenes that had yet to be completed. The script was rewritten by Walon Green, Rene Balcer and Michael S. Chernuchin, adding narration and new scenes. CGI was used to digitally composite Lee's face onto a stunt double to complete his few remaining scenes.